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8h01.comCannibal Holocaust is a 1980 Italian cannibal film directed by Ruggero Deodato and written by Gianfranco Clerici. The movie stars Robert Kerman as Harold Monroe, an anthropologist who leads a rescue team into the Amazon rainforest to locate a crew of filmmakers that have gone missing while filming a documentary on local cannibal tribes1. The film was produced as part of the contemporary cannibal trend of Italian exploitation cinema. Cannibal Holocaust was inspired by Italian media coverage of Red Brigades terrorism. Deodato believed the news reports to be staged, an idea which became an integral aspect of the film’s story1. Additionally, other story elements were also influenced by the Mondo documentaries of Gualtiero Jacopetti, particularly the presentation of the documentary crew’s lost footage, which constitutes approximately half of the film. The treatment of this footage, which is noted for its visual realism, innovated the found footage style of filmmaking that was later popularized in American cinema by The Blair Witch Project1. Cannibal Holocaust was filmed primarily on location in the Amazon rainforest of Colombia with a cast of indigenous tribes interacting with mostly inexperienced American and Italian actors recruited in New York City1. The film achieved notoriety as its graphic violence aroused a great deal of controversy. After its premiere in Italy, it was ordered to be seized by a local magistrate, and Deodato was arrested on obscenity charges. He was later charged with multiple counts of murder due to rumors that claimed several actors were killed on camera. Although Deodato was cleared of these charges, the film was banned in Italy, Australia, and several other countries due to its graphic content, including sexual assault and genuine violence toward animals. Although some nations have since revoked the ban, it is still upheld in several countries1. Critical reception of the film is mixed, although it has received a cult following. The film’s plot and violence have been noted as commentary on journalism ethics, exploitation of South American countries, and the difference between Western and non-Western countries, yet these interpretations have also been met with criticism, with any perceived subtext deemed hypocritical or insincere due to the film’s presentation1. The plot follows an American film crew that disappears in the Amazon rainforest while filming a documentary about indigenous cannibal tribes. The team consists of Alan Yates, the director; Faye Daniels, script writer; and two cameramen, Jack Anders and Mark Tomaso1. During a rescue mission into the Amazon rainforest, Professor Harold Monroe stumbles across lost film shot by the missing documentary crew. Upon returning to New York City, Professor Monroe views the film in detail. After a few days of traveling, the film details how the crew staged all the footage for their documentary by terrorizing and torturing the natives2. Despite Monroe’s objections, the television studio Pan American still wishes to air the footage as a legitimate documentary. In order to change their minds, Monroe shows the station’s executives the film’s final reels so they could see first hand how the crew’s fate came to be2. Cannibal Holocaust is certainly unpleasant, uncomfortable, even offensive - which is to say that it is uncompromisingly true to its genre - but that is not to undermine its fierce, probing intelligence3. It remains one of
horror’s most disturbing films.
