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Don’t Deliver Us from Evil: A Controversial and Cult French Horror Film Are you a fan of
horror films that explore the dark side of human nature and challenge the moral and religious norms of society? Do you enjoy watching films that are provocative, disturbing, and shocking? If so, you might want to check out Don’t Deliver Us from Evil, a 1971 French
horror film that is loosely based on the Parker–Hulme murder case of 1954. In this article, we will tell you everything you need to know about this cult
classic, including its plot, cast, production, reception, and legacy. What is the plot of Don’t Deliver Us from Evil? The plot of Don’t Deliver Us from Evil follows two adolescent girls, Anne and Lore, who are best friends and attend a Catholic boarding
school in France. Both come from wealthy and conservative families who live in the countryside. Anne and Lore are bored and rebellious, and they develop a fascination with Satanism and evil deeds. They spend their time reading poems about death, mocking their classmates and teachers, and engaging in cruel pranks and petty crimes. They also become lovers and vow to serve Satan together. During their summer vacation, Anne invites Lore to stay with her at her family’s château, while her parents are away. There, they continue their wicked activities, such as setting fire to a cowherd’s house, killing a gardener’s birds, stealing communion bread from the church, and performing a
black mass in an abandoned chapel. They also seduce and kill a motorist who runs out of gas near the château. When they return to
school, they find out that the police are investigating their crimes. They decide to end their lives in a final act of defiance and devotion to Satan. Who are the cast and crew of Don’t Deliver Us from Evil? Don’t Deliver Us from Evil was directed by Joël Séria, who was a French
filmmaker and writer who made his directorial debut with this film. Séria was known for making films that were controversial and unconventional, often dealing with themes such as sexuality, violence, religion, and social satire. He also wrote novels and short stories, some of which were adapted into films by other directors. The lead actress of Don’t Deliver Us from Evil was Jeanne Goupil, who was a French actress who starred in several films by Séria, such as Marie-poupée (1976) and Les Galettes de Pont-Aven (1975). She also appeared in other films by directors such as Claude Chabrol, Bertrand Tavernier, and Jean-Pierre Mocky. She later became a painter and a writer. The other lead actress of Don’t Deliver Us from Evil was Catherine Wagener, who was a French actress who made her film debut with this film. She also appeared in other films by Séria, such as Charlie et ses deux nénettes (1973) and L’Amour aux trousses (1975). She later became a journalist and a producer. The supporting cast of Don’t Deliver Us from Evil included Bernard Dhéran as the motorist, Gérard Darrieu as Émile the cowherd, Marc Dudicourt as the chaplain, Michel Robin as Léon the gardener, Véronique Silver as Anne’s mother, Jean-Pierre Helbert as Anne’s father, Nicole Mérouze as Lore’s mother, Henri Poirier as Lore’s father, Serge Frédéric as the priest, René Berthier as Gustave the chauffeur, Frédéric Nort as the postman, Jean-Daniel Ehrmann as the commissioner, Ann Lewis as Dominique Ney, and Nicole Gueden as Francine Istel. How was Don’t Deliver Us from Evil made? Don’t Deliver Us from Evil was made on a low budget of about 500,000 francs (about US$100,000 at the time). It was shot on location in Anjou, a region in western France, using mostly natural settings such as fields, forests, and rivers. It also used some historical buildings such as castles, churches, and schools. The film was shot in color and in widescreen format. The music was composed by Claude Germain and Dominique Ney, who created an eerie and haunting score that contrasted with the pastoral scenery. The film was inspired by the Parker–Hulme murder case of 1954, in which two
teenage girls in New Zealand killed one of their mothers after becoming obsessed with each other and their fantasy world. The case also inspired other films such as Heavenly Creatures (1994) by Peter Jackson. How was Don’t Deliver Us from Evil received? Don’t Deliver Us from Evil was released in April 1971 at the Cannes Film Festival, where it was screened in the Directors’ Fortnight section. It was then released in January 1972 in the United Kingdom by Antony Balch Films, a company that specialized in distributing foreign and underground films. The film was marketed as a
horror film with sensational taglines such as “They gave their souls to Satan…and now he’s calling for them!”, “They were
too young to be afraid…and too evil to care!”, and “They were Satan’s children…and they did his work!”. The film received an X rating in the United Kingdom and was banned in some areas. The film was also released in France in 1972 by Société Générale de Production, but it faced censorship and controversy due to its depiction of adolescent crime and sexuality, as well as its criticism of Catholicism and conservatism. The film was banned by the Minister of Information after a few weeks of screening, and was only re-released in 1980 with some cuts. The film received mostly negative reviews from critics, who found it immoral, vulgar, and absurd. However, it also gained some positive reviews from critics who praised its originality, style, and subversiveness. What is the legacy of Don’t Deliver Us from Evil? Don’t Deliver Us from Evil was the first and most successful film by Joël Séria, who went on to make other films that were also controversial and unconventional, such as Charlie et ses deux nénettes (1973), Les Galettes de Pont-Aven (1975), and Comme la lune (1977). He also made some films that were more mainstream and comedic, such as L’Amour aux trousses (1975), Le Fils puni (1980), and Quatre étoiles (2006). Don’t Deliver Us from Evil remains a cult
classic among
horror and exploitation film fans, who appreciate its provocative and disturbing charm. It has been released on various formats, such as VHS, DVD, and Blu-ray. It has also been featured on several books and websites that specialize in cult cinema, such as The Aurum Film Encyclopedia: Horror (1984), The Overlook Film Encyclopedia: Horror (1994), and Mondo Digital. It has also inspired some homages and references, such as The House of the Devil (2009), The Final Girls (2015), and The End of the F***ing World (2017). Conclusion Don’t Deliver Us from Evil is a 1971 French
horror film that is loosely based on the Parker–Hulme murder case of 1954. It is about two
teenage girls who become obsessed with Satanism and evil deeds. It was directed by Joël Séria and starred Jeanne Goupil and Catherine Wagener. It was made on a low budget and faced censorship and controversy, but it also gained a cult following for its provocative and disturbing style. It was the first and most successful film by Séria, who made other films that were also controversial and unconventional. It remains a cult
classic among
horror and exploitation film fans, who enjoy its provocative and disturbing charm.
