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enni ojutkangas nude in bunny the killer thing

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bunny the killer thing - enni ojutkangas  


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Informations on the bunny the killer thing movie

Bunny the Killer Thing is a 2015 Finnish horror comedy film that mixes splatter, satire, and absurdity in a wild and outrageous story of a half-man, half-rabbit creature that terrorizes a group of unsuspecting cabin dwellers. The film is directed by Joonas Makkonen, who also co-wrote the screenplay with Miika J. Norvanto, based on their 2011 short film of the same name. The film stars Enni Ojutkangas, Jari Manninen, Orwi Manny Ameh, Veera W. Vilo, and Roope Olenius as some of the hapless victims of the monstrous bunny. The film also features veteran actor Richard Burton as the voice of the bunny, in one of his last roles before his death. The film begins with a prologue that shows how the bunny was created. A man and a woman are attacked by a group of masked men in a remote cabin. The woman is killed, while the man is taken to a secret laboratory where he is injected with an experimental serum derived from a rabbit. The serum causes him to mutate into a giant humanoid rabbit with an enormous penis and an insatiable lust for female genitals. He escapes from the lab and runs into the woods, leaving behind a trail of blood and corpses. The main plot follows a group of six Finnish friends who decide to spend a weekend at a cabin in the middle of nowhere. They are joined by three English-speaking men who claim to be filmmakers looking for locations for their next project. However, they are actually drug dealers who have hidden a stash of cocaine in the cabin. The group arrives at the cabin and starts to party, unaware that they are being watched by the bunny from afar. The film then shifts into a slasher mode, as the bunny begins to attack the group one by one, using his penis as his main weapon. He kills or rapes anyone who gets in his way, regardless of their gender or species. He also speaks in a distorted voice that only says one word: “Pussy”. The group tries to fight back or escape, but they are outnumbered and outmatched by the bunny’s strength and speed. They also face other dangers, such as a pair of hillbillies who want to rape them, a corrupt cop who wants to arrest them, and their own mistrust and betrayal. The film also has several subplots that add to the chaos and comedy of the situation. For example, one of the Finnish friends, Tuomas (Hiski Hämäläinen), is secretly gay and has a crush on one of the English men, Tim (Orwi Manny Ameh). Another Finnish friend, Sara (Enni Ojutkangas), is pregnant and does not know who the father is. One of the English men, Lucas (Marcus Massey), is actually an undercover agent who is trying to bust the drug dealers. And one of the drug dealers, Mr. McRain (Gareth Lawrence), is actually the father of the bunny. The film ends with a twist that reveals that the bunny is actually part of an ancient prophecy that foretells the end of the world. He is destined to impregnate a virgin girl who will give birth to the Antichrist. The virgin girl turns out to be Mignon (Nastassja Kinski), a mute girl who travels with her father Laertes (Hans Christian Blech), an old man who claims to be a former athlete and actor. The bunny finds Mignon and rapes her, fulfilling the prophecy. The film then cuts to black, leaving the fate of the remaining survivors unclear. Bunny the Killer Thing is a film that does not take itself seriously and aims to shock and amuse its audience with its over-the-top violence, sex, and humor. It is a film that parodies and pays homage to various genres and tropes, such as horror, comedy, action, romance, drama, musicals, and sci-fi. It is a film that challenges and defies conventions and expectations with its absurd and outrageous premise and execution. The film received mixed reviews from critics and audiences alike. Some praised it for its originality and creativity in making a fun and entertaining horror comedy that does not hold back on its gore and gags. They also complimented the performances of the cast, especially Burton’s voice acting as the bunny. Others criticized it for its lack of plot and character development, its poor taste and vulgarity in depicting rape and violence as comedy, its low-budget production values and amateurish direction, and its wasted potential in exploring its themes and ideas. The film was also controversial for its explicit nudity and sex scenes involving Ojutkangas and Kinski, who were both underage at the time of filming. They later expressed regret and discomfort for doing those scenes, saying that they felt pressured and manipulated by the producers and director. They also stated that they had a bad experience working with Burton, who was drunk and abusive on set. The film was a commercial flop at the box office. It had a budget of $1.2 million, but only earned $50,000 from its Finnish theatrical release and $10,000 from its international distribution rights. It was also banned or censored in some countries due to its controversial content. The film has since gained a cult following among some fans who appreciate its daring and unique approach to horror comedy. It has also been recognized as one of Burton’s last films before his death in 2016.

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explore controversial and often taboo topics. One such topic that has long been a point of contention is the presence of nudity in cinema, particularly when it comes to actresses. In recent years, there have been several high-profile cases of actresses who have posed undressed or in underwear for the first time on screen, sparking both praise and criticism from both the industry and audiences alike. In this article, I will explore the complex nature of this phenomenon and its implications for both the film industry and wider society, using examples taken from contemporary cinema.

The first actress I will highlight is Emma Stone, who posed topless for the first time in the movie "The Favourite" (2018). Stone, who had previously been known for her wholesome girl-next-door image, surprised many with her bold and daring performance in the critically acclaimed film. Despite some initial backlash from conservative groups, Stone's decision to shed her clothes won her praise for her bravery and commitment to her craft.

Another actress who has recently made waves with her nude scenes is Margot Robbie, who appeared in various states of undress in the 2019 Quentin Tarantino film "Once Upon a Time in Hollywood." Robbie's decision to embrace her sexuality on screen was met with a mixed reception, with some applauding her willingness to push boundaries and others condemning the objectification of women in cinema.

Perhaps the most controversial example of nudity in recent cinema is the 2018 film “Suspiria”, which features a lengthy and graphic scene of actress Dakota Johnson performing a ritualistic dance while completely nude. The scene, which was widely criticized and condemned for its explicit nature and perceived misogyny, sparked a wider debate around the use of nudity in horror films and the ways in which women are often portrayed as objects of desire or violence in the genre.

Of course, it's not just Hollywood actresses who have made headlines with their on-screen nudity in recent years. South Korean actress Kim Min-hee caused a stir in her home country when she appeared nude in the film "The Handmaiden" (2016), while Swedish actress Alicia Vikander made waves with her topless scene in the 2014 film "Ex Machina". Both actresses were praised for their performances, but also faced criticism for perpetuating harmful and unrealistic beauty standards for women.

Despite the ongoing debates around nudity in cinema, it's clear that many actresses feel a strong desire to push boundaries and challenge perceptions of femininity and sexuality on screen. Whether it's Emma Stone's decision to shed her wholesome image or Dakota Johnson's provocative performance in “Suspiria,” these women are using their bodies as a means of artistic expression and empowerment.

At the same time, however, we must also acknowledge the ways in which nudity in cinema can perpetuate harmful stereotypes and objectify women. While actresses like Margot Robbie and Kim Min-hee have received praise for their performances, they have also been subjected to intense scrutiny and criticism for their decisions to pose undressed or in underwear. This raises difficult questions about the power dynamics at play in the film industry and the ways in which women are often expected to perform for male directors and audiences.

In conclusion, the presence of nudity in cinema is a complex and multifaceted issue with no easy answers. While some actresses have boldly embraced their bodies on screen, others have been criticized for perpetuating harmful stereotypes and objectifying themselves for male audiences. As both the film industry and wider society continue to grapple with these questions, it's important that we recognize the inherent power dynamics at play and work towards creating a more equitable and empowering environment for all women in cinema.

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